Classic Rock

The 100 Greatest Songs of the Rock Era: #90: Beast of Burden

Lyrics
The Rolling Stones from Some Girls (1978)

“Well, so much for the romance,” Peggy said.

“Hey, we talked about how hard it is to get that right. I think this sentiment is much easier to express.”

“Maybe so. But it’s always going to sound cool coming from Jagger’s mouth.”

“Indeed. Though Bette Midler did an awfully good job with it. Sent the message in an entirely different direction.”

“Yeah, that was a great cover. I always thought the guitar part was what made this song unforgettable in the original, though, and that’s definitely missing from the Midler version. Did you ever notice that nearly all of Keith Richards’s riffs are built around strummed chords? That’s a pretty distinctive thing.”

“Well, ‘Satisfaction’ or ‘Gimme Shelter,’ but I get what you’re saying. He riffs in a different way than someone like Eric Clapton or Jack White or Prince, who usually use notes or runs.”

“This is a tough lyric, though. Definitely not a pretty relationship.”

“Remind you of anyone?”

Peggy laughed, but tentatively. “That girl is long gone.” She paused, and her voice modulated. “It’s hard to see any of myself in this song now.”

That last exchange was perhaps the clearest indication of the gulf the years had created between Peggy and me. It dawned on me that the woman I was envisioning on the other end of the phone was my good friend at twenty – and that I was much younger in my own head. And here was the thing: I couldn’t tell whether these phone calls were bringing us closer again, or just showing us how far we’ve drifted apart.

“The Edge,” I said, moving us toward safer ground. “He uses strummed chords for his riffs a lot, too.”

Sticky
Apr 10, 2015
0

The 100 Greatest Songs of the Rock Era: #92: Won’t Get Fooled Again

Lyrics

The Who from Who’s Next (1971)

 

“The CSI:Miami theme song made your top 100 list?” Peggy said.

I laughed. “You know, I’ll bet there are some people who think the song was recorded for that show. Those are the same people who think Kanye West gave a big break to an old musician named Paul-something.”

“So where does Who’s Next stand on your list of greatest albums.”

“Don’t get me started on albums. However, if I were to put such a list together – and I’m not saying that I’m going to – Who’s Next would be very high up there. It starts with ‘Baba O’Reilly’ and it ends with this song. If what came between was nothing but Keith Moon’s besotted mumblings, it would still be an unforgettable record.”

“Number twelve,” Peggy said after a pause.

“Wait, you have a list of top albums?”

“I didn’t, but I started one after we reconnected. I didn’t want to do a song list because I didn’t want you to accuse me of copying you.”

“What’s number one?”

“I’ll show you mine if you show me yours.”

“Nope, I can hold out. You know that patience is one of my few virtues.”

I was lying. As soon as Peggy mentioned that she’d put a list of best albums together, I wanted to know everything on it. That was of course why I’d bridged the distance between us to share my list with her. Peggy was the one person I’d ever been able to be an unabashed music nerd with.

Peggy cut into my thoughts. “Does Townsend get extra credit for making a synthesizer actually sound like a musical instrument here?”

“I think he does. Not many had done so before him. Mostly it was just a bunch of bleeps and blurps. Keith Emerson got it mostly right on ‘Lucky Man,’ but even that switches to noodling by the end.”

“And then there’s the whole next-generation protest song thing.”

“I think that’s what makes this song a classic. It’s a great track – big guitar, crushing bass, just-barely-under-control drums, that amazing wail from Daltrey toward the end – but Townsend’s post-sixties vision of where revolution gets us just keeps resonating.”

“It almost seems more relevant now, doesn’t it?”

That was a political discussion for another day, but it was awfully hard to disagree with Peggy.

It was so great to be speaking with her like this again.

Sticky
Mar 26, 2015
0

The 100 Greatest Songs of the Rock Era: #93: Dear Mr. Fantasy

Lyrics

Traffic from Mr. Fantasy (1967)

 

“Steve Winwood: top-five rock voice ever?” Peggy said.

“Not counting R&B singers? Yeah, I wouldn’t argue against that.”

“Well, that was the thing. He had a voice made for R&B, but he was singing these trippy tunes. How many other people could have done that?”

“He definitely carved a distinctive place for himself with Traffic. But I really think he could have sung anything. After all, the biggest hit of his career was ‘Higher Love.’”

“‘Higher Love,’ yeah. Do you think Winwood ever thought while he was writing ‘Dear Mr. Fantasy’ that he would wind up with a slick haircut singing a dance tune?”

I remembered the complaints from the Traffic faithful when that song landed that the great Steve Winwood had sold out. “I never hated that song as much as others did,” I said. “Really, I was just happy that he had a big hit after all those years.”

“Promise me ‘Higher Love’ isn’t in your top hundred.”

I laughed. “No, definitely not. I don’t think I have any total-career-pivots like that on the list.”

“That’s good to hear. I was really worried that Springsteen’s ‘Dancing in the Dark’ was going to show up at some point. So what is it about ‘Dear Mr. Fantasy’ that makes it a song for the ages for you? The dreamy chord changes? The shredding guitar? The plaintive vocal?”

“D: all of the above. But you actually didn’t mention the thing I love the most. And this one has nothing to do with Winwood; it’s a Jim Capaldi thing. I just love the story he tells with only a handful of lines about a musician’s unique ability to make us feel more alive. That was both inspirational and aspirational.”

“Oh, right. Your rock star phase.”

“I’m not sure it qualifies as a phase.”

“Wasn’t it the only thing you wanted for your entire adolescence?”

“‘Only thing’ is overstating it. I also wanted good pizza.”

“And this was because of ‘Dear Mr. Fantasy.’”

“Not entirely, but that song gave voice to something I was feeling inside. I think it still does, except the stage has changed.”

“Yeah, one of these days we’ll talk about something other than music during these conversations and you can give me a hopes-and-dreams update.”

“Any time you want?”

“Really?”

“Any time.”

Sticky
Mar 24, 2015
0